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Caroline Harrius Swedish, b. 1993

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Open a larger version of the following image in a popup: CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
Open a larger version of the following image in a popup: CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
Open a larger version of the following image in a popup: CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022

CAROLINE HARRIUS Swedish, b. 1993

Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
Coiled form inspired by ornamental urns and decorative porcelain vases, decorated with cotton thread after the final firing through hundreds of pre-drilled holes.
ca H 45 cm
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
  • (View a larger image of thumbnail 2 ) CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
  • (View a larger image of thumbnail 3 ) CAROLINE HARRIUS, Embroidered Object, Blue 1 / Broderade Objekt, Blå 1, 2022
Embroidered Object, Blue. I have spent considerable time developing a method where I can rework and apply patterns inspired by old textiles, such as handkerchiefs, curtains, and tablecloths, onto clay....
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Embroidered Object, Blue. I have spent considerable time developing a method where I can rework and apply patterns inspired by old textiles, such as handkerchiefs, curtains, and tablecloths, onto clay. I then embroider these patterns onto porcelain objects inspired by classic urns or vase forms. The purpose is to explore the demands, craftsmanship, and knowledge within the home from a female perspective, elevating craft traditions that have historically had lower status and making them more accessible. This is an attempt to see what happens when different traditional crafts are combined and whether a new context can change how we interpret decorative craftsmanship. I want to understand how we value various craft traditions depending on the group historically associated with them and find value in combining porcelain with other, unexpected materials. This becomes a method for examining how these combinations influence how we perceive objects and materials, and whether we can reassess our biases.


Broderade Objekt, Blå. Jag har lagt mycket tid på att utveckla en metod där jag kan omarbeta och applicera mönster med inspiration från gamla textilier, så som näsdukar, gardiner och dukar jag hittat på lera och sedan brodera mönstret på föremål i porslin inspirerade av en klassik prakturna eller en vasform. Syftet är att utforska krav, konsthantverk och kunskap i hemmet från ett kvinnligt perspektiv, lyfta hantverkstraditioner som historiskt sett haft en längre status och göra det mer tillgängligt. Det här är ett försök att se vad som händer när man kombinerar olika traditionella hantverk med varandra, och om en ny kontext kan förändra hur vi läser dekorativt hantverk. Jag vill förstå hur vi värdesätter olika hantverkstraditioner beroende på vilken grupp som historiskt har förknippats med den, och ser ett värde i att kombinera porslin med andra, oväntade material. Det blir en metod för att undersöka vad möten gör med hur vi läser objektet och material, och om vi kan omvärdera våra fördomar.


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