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Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art. Photo Henrik Zeitler.
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Avesta Art
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Avesta Art
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art. Photo Henrik Zeitler.
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art. Photo Henrik Zeitler.
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art Photo Henrik Zeitler
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art. Photo Henrik Zeitler.
Open a larger version of the following image in a popup: Tove Kjellmark, Inside, 2018 Borås Museum of Art. Photo Henrik Zeitler.

Tove Kjellmark Swedish, b. 1977

Inside, 2018
Video
Length: 09:31 min
Format: 9:16 HDV
Sound: 5.1
Edition of 3 plus 1 AP
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Inside video installation (2018)9:31 min HD video and 5.1 sound. 3x5 meter screen Music: Carl-Michael Herlöfsson I am looking into moments of instability through the process of unlearning and transformation....
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Inside video installation (2018)

9:31 min HD video and 5.1 sound.

3x5 meter screen
Music: Carl-Michael Herlöfsson

I am looking into moments of instability through the process of unlearning and transformation. Hesitations in the relationship between ourselves and everything around or inside us.


In the video installation Inside, the viewer will be guided through a journey starting from within the empty shell of a human body. When the viewer exits through the head, the perspective changes, and you are forced to inspect a body from the outside. Only the parts that are in focus are visible, the rest of the image falls into a dark void, this way the viewer is forced to follow the gaze of the camera. Enclosed by organic sounds and music you can’t escape the intimacy. With the help of this forced, controlled gaze the duality of the expression is brought forward. I filmed myself with a 3D scanner to study the female body as an object and the sensation of feeling skinless when being watched naked - being exposed. But it is also about taking control. Since the camera directs the gaze, the viewers are ultimately left to the image presented; they are forced to hand over the control.


Exhibited at:

Avesta Art 2018 Illusioner/Allusioner 19.05.18-16.09.18, Avesta, Sweden.

Borås Museum of Art, When I Crack I Expand, 09.12.23–21.04.24, Borås, Sweden.

Competed at:

The prestigious Fascination section at 22nd Ji.hlava IDFF, Prag. The largest festival of creative documentaries in Central and Eastern Europe.


Connected to "Inside" sculpture but is also free-standing.




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