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Open a larger version of the following image in a popup: Mattias Åkeson, Sändare / Mottagare #5, 2026
Open a larger version of the following image in a popup: Mattias Åkeson, Sändare / Mottagare #5, 2026
Open a larger version of the following image in a popup: Mattias Åkeson, Sändare / Mottagare #5, 2026

Mattias Åkeson Swedish, b. 1970

Sändare / Mottagare #5, 2026
Digital pigment print, Diasec® with matt acrylic glass
87 x 70 cm
Edition of 3 plus 2 artist's proofs
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The series Sändare / Mottagare (Sender / Receiver) consists of photographs of details and objects drawn from office and administrative work. I think of them as a kind of close-up...
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The series Sändare / Mottagare (Sender / Receiver) consists of photographs of details and objects drawn from office and administrative work. I think of them as a kind of close-up study, in which the objects also relate to the context of the film. Screens, projectors, cables, connectors, and ventilation ducts become motifs that, in different ways, evoke the conceptual pair of sender and receiver.


The images also contain references to artists and visual languages that have influenced my work. One recurring reference is the Spanish Baroque painter Juan Sánchez Cotán and his still-life paintings. I am particularly interested in the way he arranges and depicts everyday objects, giving them a strong presence and significance within the image.


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Serien Sändare / Mottagare består av fotografier av detaljer och objekt hämtade ur kontors- och administrativt arbete. Jag betraktar dem som en sorts inzoomade case studies, där objekten samtidigt relaterar till filmens kontext. Skärmar, projektorer, sladdar, kontakter och ventilationsrör blir motiv som på olika sätt associerar till begreppsparet sändare och mottagare.

I bilderna finns också olika referenser till konstnärer och bildspråk som har påverkat mitt arbete. En återkommande referens är den spanska barockmålaren Juan Sánchez Cotán och hans stillebenmåleri. Jag intresserar mig särskilt för hur han arrangerar och avbildar vardagliga objekt på ett sätt som ger dem en stark närvaro och betydelse i bilden.

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