Alannah Robins Irish, b. 1971
Elements of Robin's environment inevitably find their way into her work, be they suburban cityscapes, tangled hedgerows, children’s toys, or furniture and domestic objects.
Alannah Robins has a dynamic artistic practice, based in Ireland and Sweden. A graduate of the National College of Art and Design, Dublin, she was a founder member of the Atlantic Artists’ Association which ran a collective studio and gallery space in Clifden for nine years. Alannah has won several commissions and awards for her artwork in Ireland and Sweden, including a public commission for the Waterford Institute of Technology, Tyresö Kulturstipendium and Helge Axeson stipend. She has exhibited, among other places, in the Royal Hibernian Academy, Dublin; London’s Dialogue Cultural Space; Pasaj Independent Arts Space, Istanbul and in Sweden’s Tegen2, Detroit Stockholm, Galleri CC and Kiruna Stadshus. She is the founder and director of Interface artist in residence programme in Connemara. Located in an old salmon hatchery, Interface offers opportunities for international artists to explore intersections between scientific research and art in an area of outstanding natural beauty.
"I believe that myth is truer than history. I believe that the artistic process is visionary, that artistic investigations into the nature of reality have the potential to prepare the way for scientific discoveries. In the words of James Baldwin, ‘The purpose of art is to lay bare the questions which have been hidden by the answers.’ With this belief at the helm of my practice, I allow myself to be immersed in my surroundings and to work intuitively. Elements of my environment inevitably find their way into my work, be they suburban cityscapes, tangled hedgerows, children’s toys, or furniture and domestic objects. What recurs with persistence is a reference to man’s relationship to nature, an interrogation into how both man and language are characterised by the landscape and vice versa. The process of drawing blind, as in looking intensely at the object to be drawn, and not at the page, is a starting point for many investigations. Using the eye, brain and hand as a filter, the abstraction which takes place is entirely honest. Associations which emerge are unconscious, mystical. As an artist with a background in object making, I have been excited by the experience of recent years in which elements of my practice have begun to diffuse into more ephemeral work. Shadow replaces stone and paper replaces wood. This is not to say that the object is entirely absent, but that it finds itself part of a greater whole, or that it is less concrete. Elements of light and shadow play a critical role in all of my work, not least in the paper cut outs. Moving away from the homeland was instrumental in bringing about this kind of change. A change of studio space initiated a turn to new materials. Encounters and consequent relationships with electronic musicians stimulated an engagement in temporary artwork, collaborative partnerships and an interest in interdisciplinary artwork. Having resisted film for many years, I have succumbed to the use of moving image as an element in my work, together with assembled work, installation, shadow theatre and performative elements."
Springbrunn – A group show with our gallery artists11 Jan - 17 Feb 2024As spring arrives, a palpable sense of hope fills the air, mirroring the transformative thaw of ice that births life-giving water. The way this water shapes itself and flows forward...
Alannah Robins | Comfort Ye My People10 Nov - 16 Dec 2023'I had other plans for this exhibition, but I felt an overwhelming compulsion to simply draw the mountains. I think it might be somehow related to our need for comfort...
Group show | From Whispers to the Holy Grail6 Dec 2019 - 10 Jan 2020Please join us as we celebrate exactly one year since our first exhibition and installation as in-house gallery at Embassy House Linnégatan! This Friday, December 6, in honour of our...
Group show | Democracy under siege22 Aug - 29 Sep 2019Artists: Santiago Sierra, Maikel Dominguez, Mireia Rocher, Matt Miley, Serinyà, Lana Stephens, Alannah Robins, Anthony Mills and Michel Östlund. On Thursday, August 22, 2019, Galleri Duerr opened the fall season...
Concert with Sören Runolf & Ewert EkrosFinissage Alannah Robins "Comfort Ye My People" 16 Dec 2023Saturday, November 16: 12:00 – 16:00 FINISSAGE WITH CONCERT Join us as we celebrate the Finissage of Alannah Robins exhibition Comfort Ye My People, together with the musicians Sören Runolf and Ewert Ekros who will perform from 3:30 pm to 4:00 pm. Alannah Robins will be present in the gallery the entire day, from 12:00–closing. 15:30–16:30 CONCERT WITH SÖREN RUNOLF & EWERT RUNOLF SÖREN RUNOLF is part of the free-improvised and electro-acoustic music scene and has performed in Europe, Russia, and the USA. Since the late seventies, he has been a member of the free-improvised-music-group Lokomotiv Konkret and works in several other constellations together with musicians and composers such as Sten Sandell, Mats Lindström, and Johannes Bergmark, and often in collaboration with choreographers, dancers, performance artists, poets and video-artists. He performs solo with live electronics – using equipment such as contact microphones, amplified objects, electronic processors, live-sampler, and analog and virtual modular synthesizers, to name a few. EWERT EKROS / Ekrosjävlarna, is an electronic sound and music composer with a vibrant presence in the Stockholm music scene. Actively involved in studio EMS (Electronic Music Studios), Ewert contributes significantly to the electronic music landscape. As a dedicated member of the EMS Studio user organization VEMS, he also serves on the board. Ewert Ekros is a key participant in live concerts, regularly taking part in concerts in a free improvisation/experimental tradition. Ekros is an active member of the artist-driven stage performance society Fylkingenin Stockholm, Sweden. His stage and performance practice includes electronic and acoustic instruments, presenting them in fixed media form. Ekros specializes in crafting fixed-media sound compositions within electronic multichannel setups, extending to sound-based installations, where he collaborates with artists representing diverse disciplines. In his fixed media pieces, Ewert often employs sound sources derived from the human voice, adding a distinctive and evocative element to his compositions.